Difference between revisions of "Akuma (3S)"

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[[Image:Akuma3sport.gif|frame|right|Akuma's Character Select Portrait]]
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[[Image:Akuma3s-stance.gif|frame|right|Akuma's Neutral Stance]]
 
[[Image:Akuma3s-stance.gif|frame|right|Akuma's Neutral Stance]]
 
==Introduction==
 
==Introduction==
Line 124: Line 124:
 
| Neutral Jumping Roundhouse || '''(Air)''' Hk
 
| Neutral Jumping Roundhouse || '''(Air)''' Hk
 
|-
 
|-
| Overhead || MP+MK
+
| Overhead || MP MK
 
|-
 
|-
| Taunt || HP+HK
+
| Taunt || HP HK
 
|}
 
|}
  
Line 135: Line 135:
 
| '''Move Name''' || '''Motion'''
 
| '''Move Name''' || '''Motion'''
 
|-
 
|-
| Seoi Nage || LP+LK or F+LP+LK
+
| Seoi Nage || LP LK or F LP LK
 
|-
 
|-
| Tomoe Nage || B+LP+LK
+
| Tomoe Nage || B LP LK
 
|-
 
|-
 
|}
 
|}
Line 147: Line 147:
 
| '''Move Name''' || '''Motion'''
 
| '''Move Name''' || '''Motion'''
 
|-
 
|-
| Zugai Hasatsu || F+MP
+
| Zugai Hasatsu || F MP
 
|-
 
|-
| Crouching Jab || D+LP
+
| Crouching Jab || D LP
 
|-
 
|-
| Crouching Strong || D+MP
+
| Crouching Strong || D MP
 
|-
 
|-
| Crouching Fierce || D+HP
+
| Crouching Fierce || D HP
 
|-
 
|-
| Crouching Short || D+LK
+
| Crouching Short || D LK
 
|-
 
|-
| Crouching Foward || D+MK
+
| Crouching Foward || D MK
 
|-
 
|-
| Crouching Roundhouse || D+HK
+
| Crouching Roundhouse || D HK
 
|-
 
|-
| Tenma Kuujin Kyaku || Jump Foward, D+MK
+
| Tenma Kuujin Kyaku || Jump Foward, D MK
 
|}
 
|}
  
Line 174: Line 174:
 
| '''Move Name''' || '''Motion'''
 
| '''Move Name''' || '''Motion'''
 
|-
 
|-
| Gou Hadouken || QCF+P
+
| Gou Hadouken || QCF P
 
|-
 
|-
| Zankuu Hadouken || '''(Air)''' QCF+P
+
| Zankuu Hadouken || '''(Air)''' QCF P
 
|-
 
|-
| Shakunestu Hadouken || HCB+P
+
| Shakunestu Hadouken || HCB P
 
|-
 
|-
| Tatsumaki Zankuukyaku || QCB+K
+
| Tatsumaki Zankuukyaku || QCB K
 
|-
 
|-
| Tatsumaki Zankuukyaku (Air) || '''(Air)''' QCB+K
+
| Tatsumaki Zankuukyaku (Air) || '''(Air)''' QCB K
 
|-
 
|-
| Gou Shoryuken || F, D, DF+P
+
| Gou Shoryuken || F, D, DF P
 
|-
 
|-
| Hyakki Shuu || F, D, DF+K
+
| Hyakki Shuu || F, D, DF K
 
|-
 
|-
| Hyakki Gouzan || During F, D, DF+K (No input)
+
| Hyakki Gouzan || During F, D, DF K (No input)
 
|-
 
|-
| Hyakki Goushou || During F, D, DF+K, press P
+
| Hyakki Goushou || During F, D, DF K, press P
 
|-
 
|-
| Hyakki Goujin || During F, D, DF+K, press K
+
| Hyakki Goujin || During F, D, DF K, press K
 
|-
 
|-
| Hyakki Gousai || During F, D, DF+K, press LP+LK when directly on top of opponent
+
| Hyakki Gousai || During F, D, DF K, press LP LK when directly on top of opponent
 
|-
 
|-
| Ashura Senkuu || F, D, DF+KK or F, D, DF+KKK
+
| Ashura Senkuu || F, D, DF KK or F, D, DF KKK
 
|-
 
|-
| Ashura Senkuu || F, D, DF+PP or F, D, DF+PPP
+
| Ashura Senkuu || F, D, DF PP or F, D, DF PPP
 
|-
 
|-
| Ashura Senkuu || B ,D ,DB+KK or B ,D ,DB+KKK
+
| Ashura Senkuu || B ,D ,DB KK or B ,D ,DB KKK
 
|-
 
|-
| Ashura Senkuu || B ,D ,DB+PP or B ,D ,DB+PPP
+
| Ashura Senkuu || B ,D ,DB PP or B ,D ,DB PPP
 
|}
 
|}
  
Line 215: Line 215:
 
| '''Num.''' || '''Super Art Name''' || '''Motion''' || '''Super Bars'''
 
| '''Num.''' || '''Super Art Name''' || '''Motion''' || '''Super Bars'''
 
|-
 
|-
| I || Messatsu Gou Hadou || QCF QCF+P || 2 stocks
+
| I || Messatsu Gou Hadou || QCF QCF P || 2 stocks
 
|-
 
|-
| I || Tenma Gou Zankuu || '''(Air)''' QCF QCF+P || 2 stocks
+
| I || Tenma Gou Zankuu || '''(Air)''' QCF QCF P || 2 stocks
 
|-
 
|-
| II || Messatsu Gou Shoryuu || QCF QCF+P || 2 stocks
+
| II || Messatsu Gou Shoryuu || QCF QCF P || 2 stocks
 
|-
 
|-
| III || Messatsu Gou Rasen || QCF QCF+K || 2 stocks
+
| III || Messatsu Gou Rasen || QCF QCF K || 2 stocks
 
|-
 
|-
| III || Messatsu Gou Senpuu || '''(Air)''' QCF QCF+K || 2 stocks
+
| III || Messatsu Gou Senpuu || '''(Air)''' QCF QCF K || 2 stocks
 
|-
 
|-
| any || Shun Goku Satsu || LP+LP+F+LK+HP || MAX required
+
| any || Shun Goku Satsu || LP LP F LK HP || MAX required
 
|-
 
|-
| any || Kongou Kokuretsu Zan || DDD+PP or DDD+PPP || MAX required
+
| any || Kongou Kokuretsu Zan || DDD PP or DDD PPP || MAX required
 
|}
 
|}
  
Line 442: Line 442:
 
| align="center" | '''Move''' || align="center" | '''Motion''' || align="center" | '''Damage''' || align="center" | '''Stun Damage'''
 
| align="center" | '''Move''' || align="center" | '''Motion''' || align="center" | '''Damage''' || align="center" | '''Stun Damage'''
 
|-
 
|-
| align="center" | Universal Overhead || align="center" | MP+MK || align="center" | 40 || align="center" | 3
+
| align="center" | Universal Overhead || align="center" | MP MK || align="center" | 40 || align="center" | 3
 
|}
 
|}
 
''Comments here''
 
''Comments here''
Line 453: Line 453:
 
| align="center" | '''Move''' || align="center" | '''Motion''' || align="center" | '''Damage''' || align="center" | '''Stun Damage'''|| align="center" | '''Throw Range'''
 
| align="center" | '''Move''' || align="center" | '''Motion''' || align="center" | '''Damage''' || align="center" | '''Stun Damage'''|| align="center" | '''Throw Range'''
 
|-
 
|-
| align="center" | Seoi Nage || align="center" | LP+LK or F+LP+LK || align="center" | 110 || align="center" | 9 || align="center" | 24
+
| align="center" | Seoi Nage || align="center" | LP LK or F LP LK || align="center" | 110 || align="center" | 9 || align="center" | 24
 
|}
 
|}
 
''Comments here''
 
''Comments here''
Line 462: Line 462:
 
| align="center" | '''Move''' || align="center" | '''Motion''' || align="center" | '''Damage''' || align="center" | '''Stun Damage'''|| align="center" | '''Throw Range'''
 
| align="center" | '''Move''' || align="center" | '''Motion''' || align="center" | '''Damage''' || align="center" | '''Stun Damage'''|| align="center" | '''Throw Range'''
 
|-
 
|-
| align="center" | Tomoe Nage || align="center" | B+LP+LK || align="center" | 110 || align="center" | 15 || align="center" | 24
+
| align="center" | Tomoe Nage || align="center" | B LP LK || align="center" | 110 || align="center" | 15 || align="center" | 24
 
|}
 
|}
 
''Comments here''
 
''Comments here''
Line 474: Line 474:
 
| align="center" | '''Move''' || align="center" | '''Motion''' || align="center" | '''Damage''' || align="center" | '''Stun Damage'''
 
| align="center" | '''Move''' || align="center" | '''Motion''' || align="center" | '''Damage''' || align="center" | '''Stun Damage'''
 
|-
 
|-
| align="center" | Zugai Hasatsu || align="center" | F+MP || align="center" | 40 || align="center" | 9
+
| align="center" | Zugai Hasatsu || align="center" | F MP || align="center" | 40 || align="center" | 9
 
|-
 
|-
 
| align="center" | (2nd Hit) || align="center" | - || align="center" | 50 || align="center" | 7
 
| align="center" | (2nd Hit) || align="center" | - || align="center" | 50 || align="center" | 7
Line 486: Line 486:
 
| align="center" | '''Move''' || align="center" | '''Motion''' || align="center" | '''Damage''' || align="center" | '''Stun Damage'''
 
| align="center" | '''Move''' || align="center" | '''Motion''' || align="center" | '''Damage''' || align="center" | '''Stun Damage'''
 
|-
 
|-
| align="center" | Crouching Jab || align="center" | D+LP || align="center" | 20 || align="center" | 3
+
| align="center" | Crouching Jab || align="center" | D LP || align="center" | 20 || align="center" | 3
 
|}
 
|}
 
''Comments here''
 
''Comments here''
Line 496: Line 496:
 
| align="center" | '''Move''' || align="center" | '''Motion''' || align="center" | '''Damage''' || align="center" | '''Stun Damage'''
 
| align="center" | '''Move''' || align="center" | '''Motion''' || align="center" | '''Damage''' || align="center" | '''Stun Damage'''
 
|-
 
|-
| align="center" | Crouching Strong || align="center" | D+MP || align="center" | 95 || align="center" | 7
+
| align="center" | Crouching Strong || align="center" | D MP || align="center" | 95 || align="center" | 7
 
|}
 
|}
 
''Comments here''
 
''Comments here''
Line 506: Line 506:
 
| align="center" | '''Move''' || align="center" | '''Motion''' || align="center" | '''Damage''' || align="center" | '''Stun Damage'''
 
| align="center" | '''Move''' || align="center" | '''Motion''' || align="center" | '''Damage''' || align="center" | '''Stun Damage'''
 
|-
 
|-
| align="center" | Crouching Fierce || align="center" | D+HP || align="center" | 135 || align="center" | 11
+
| align="center" | Crouching Fierce || align="center" | D HP || align="center" | 135 || align="center" | 11
 
|}
 
|}
 
''Comments here''
 
''Comments here''
Line 516: Line 516:
 
| align="center" | '''Move''' || align="center" | '''Motion''' || align="center" | '''Damage''' || align="center" | '''Stun Damage'''
 
| align="center" | '''Move''' || align="center" | '''Motion''' || align="center" | '''Damage''' || align="center" | '''Stun Damage'''
 
|-
 
|-
| align="center" | Crouching Short || align="center" | D+LK || align="center" | 20 || align="center" | 3
+
| align="center" | Crouching Short || align="center" | D LK || align="center" | 20 || align="center" | 3
 
|}
 
|}
 
''Comments here''
 
''Comments here''
Line 526: Line 526:
 
| align="center" | '''Move''' || align="center" | '''Motion''' || align="center" | '''Damage''' || align="center" | '''Stun Damage'''
 
| align="center" | '''Move''' || align="center" | '''Motion''' || align="center" | '''Damage''' || align="center" | '''Stun Damage'''
 
|-
 
|-
| align="center" | Crouching Foward || align="center" | D+MK || align="center" | 90 || align="center" | 3
+
| align="center" | Crouching Foward || align="center" | D MK || align="center" | 90 || align="center" | 3
 
|}
 
|}
 
''Comments here''
 
''Comments here''
Line 536: Line 536:
 
| align="center" | '''Move''' || align="center" | '''Motion''' || align="center" | '''Damage''' || align="center" | '''Stun Damage'''
 
| align="center" | '''Move''' || align="center" | '''Motion''' || align="center" | '''Damage''' || align="center" | '''Stun Damage'''
 
|-
 
|-
| align="center" | Crouching Roundhouse || align="center" | D+HK || align="center" | 130 || align="center" | 3
+
| align="center" | Crouching Roundhouse || align="center" | D HK || align="center" | 130 || align="center" | 3
 
|}
 
|}
 
''Comments here''
 
''Comments here''
Line 546: Line 546:
 
| align="center" | '''Move''' || align="center" | '''Motion''' || align="center" | '''Damage''' || align="center" | '''Stun Damage'''
 
| align="center" | '''Move''' || align="center" | '''Motion''' || align="center" | '''Damage''' || align="center" | '''Stun Damage'''
 
|-
 
|-
| align="center" | Tenma Kuujin Kyaku || align="center" | JF, D+MK || align="center" | 90 || align="center" | 11
+
| align="center" | Tenma Kuujin Kyaku || align="center" | JF, D MK || align="center" | 90 || align="center" | 11
 
|}
 
|}
 
''Comments here''
 
''Comments here''
Line 559: Line 559:
 
| align="center" | '''Move''' || align="center" | '''Motion''' || align="center" | '''Damage''' || align="center" | '''Stun Damage''' || align="center" | '''Fireball Speed'''
 
| align="center" | '''Move''' || align="center" | '''Motion''' || align="center" | '''Damage''' || align="center" | '''Stun Damage''' || align="center" | '''Fireball Speed'''
 
|-
 
|-
| align="center" | Gou Hadouken (Jab) || align="center" | QCF+LP || align="center" | 60 || align="center" | 3 || align="center" | Slow
+
| align="center" | Gou Hadouken (Jab) || align="center" | QCF LP || align="center" | 60 || align="center" | 3 || align="center" | Slow
 
|-
 
|-
| align="center" | Gou Hadouken (Strong) || align="center" | QCF+MP || align="center" | 60 || align="center" | 3 || align="center" | Medium
+
| align="center" | Gou Hadouken (Strong) || align="center" | QCF MP || align="center" | 60 || align="center" | 3 || align="center" | Medium
 
|-
 
|-
| align="center" | Gou Hadouken (Fierce) || align="center" | QCF+HP || align="center" | 60 || align="center" | 3 || align="center" | Fast
+
| align="center" | Gou Hadouken (Fierce) || align="center" | QCF HP || align="center" | 60 || align="center" | 3 || align="center" | Fast
 
|}
 
|}
 
''Comments here''
 
''Comments here''
Line 573: Line 573:
 
| align="center" | '''Move''' || align="center" | '''Motion''' || align="center" | '''Damage''' || align="center" | '''Stun Damage''' || align="center" | '''Fireball Speed'''
 
| align="center" | '''Move''' || align="center" | '''Motion''' || align="center" | '''Damage''' || align="center" | '''Stun Damage''' || align="center" | '''Fireball Speed'''
 
|-
 
|-
| align="center" | Zankuu Hadouken (Jab) || align="center" | '''(Air)''' QCF+LP || align="center" | 60 || align="center" | 3 || align="center" | Slow
+
| align="center" | Zankuu Hadouken (Jab) || align="center" | '''(Air)''' QCF LP || align="center" | 60 || align="center" | 3 || align="center" | Slow
 
|-
 
|-
| align="center" | Zankuu Hadouken (Strong) || align="center" | '''(Air)''' QCF+MP || align="center" | 60 || align="center" | 3 || align="center" | Medium
+
| align="center" | Zankuu Hadouken (Strong) || align="center" | '''(Air)''' QCF MP || align="center" | 60 || align="center" | 3 || align="center" | Medium
 
|-
 
|-
| align="center" | Zankuu Hadouken (Fierce) || align="center" | '''(Air)''' QCF+HP || align="center" | 60 || align="center" | 3 || align="center" | Fast
+
| align="center" | Zankuu Hadouken (Fierce) || align="center" | '''(Air)''' QCF HP || align="center" | 60 || align="center" | 3 || align="center" | Fast
 
|}
 
|}
 
''Comments here''
 
''Comments here''
Line 587: Line 587:
 
| align="center" | '''Move''' || align="center" | '''Motion''' || align="center" | '''Damage''' || align="center" | '''Stun Damage''' || align="center" | '''Fireball Speed'''
 
| align="center" | '''Move''' || align="center" | '''Motion''' || align="center" | '''Damage''' || align="center" | '''Stun Damage''' || align="center" | '''Fireball Speed'''
 
|-
 
|-
| align="center" | Shakunetsu Hadouken (Jab) || align="center" | HCB+LP || align="center" | 50 || align="center" | 3 || align="center" | Fast
+
| align="center" | Shakunetsu Hadouken (Jab) || align="center" | HCB LP || align="center" | 50 || align="center" | 3 || align="center" | Fast
 
|-
 
|-
| align="center" | Shakunetsu Hadouken (Strong) || align="center" | HCB+MP || align="center" | 50 || align="center" | 3 || align="center" | Medium
+
| align="center" | Shakunetsu Hadouken (Strong) || align="center" | HCB MP || align="center" | 50 || align="center" | 3 || align="center" | Medium
 
|-
 
|-
 
| align="center" | 2nd Hit || align="center" | - || align="center" | 50 || align="center" | 3 || align="center" | -
 
| align="center" | 2nd Hit || align="center" | - || align="center" | 50 || align="center" | 3 || align="center" | -
 
|-
 
|-
| align="center" | Shakunetsu Hadouken (Fierce) || align="center" | HCB+HP || align="center" | 50 || align="center" | 3 || align="center" | Slow
+
| align="center" | Shakunetsu Hadouken (Fierce) || align="center" | HCB HP || align="center" | 50 || align="center" | 3 || align="center" | Slow
 
|-
 
|-
 
| align="center" | 2nd Hit || align="center" | - || align="center" | 50 || align="center" | 3 || align="center" | -
 
| align="center" | 2nd Hit || align="center" | - || align="center" | 50 || align="center" | 3 || align="center" | -
Line 607: Line 607:
 
| align="center" | '''Move''' || align="center" | '''Motion''' || align="center" | '''Damage''' || align="center" | '''Stun Damage'''
 
| align="center" | '''Move''' || align="center" | '''Motion''' || align="center" | '''Damage''' || align="center" | '''Stun Damage'''
 
|-
 
|-
| align="center" | Tatsumaki Zankuukyaku (Short) || align="center" | QCB+LK || align="center" | 100 || align="center" | 7
+
| align="center" | Tatsumaki Zankuukyaku (Short) || align="center" | QCB LK || align="center" | 100 || align="center" | 7
 
|-
 
|-
| align="center" | Tatsumaki Zankuukyaku (Foward) || align="center" | QCB+MK || align="center" | 90 || align="center" | 7
+
| align="center" | Tatsumaki Zankuukyaku (Foward) || align="center" | QCB MK || align="center" | 90 || align="center" | 7
 
|-
 
|-
 
| align="center" | 2nd Hit || align="center" | - || align="center" | 30 || align="center" | 3
 
| align="center" | 2nd Hit || align="center" | - || align="center" | 30 || align="center" | 3
 
|-
 
|-
| align="center" | Tatsumaki Zankuukyaku (Roundhouse) || align="center" | QCB+HK || align="center" | 90 || align="center" | 7
+
| align="center" | Tatsumaki Zankuukyaku (Roundhouse) || align="center" | QCB HK || align="center" | 90 || align="center" | 7
 
|-
 
|-
 
| align="center" | 2nd Hit || align="center" | - || align="center" | 30 || align="center" | 3
 
| align="center" | 2nd Hit || align="center" | - || align="center" | 30 || align="center" | 3
Line 627: Line 627:
 
| align="center" | '''Move''' || align="center" | '''Motion''' || align="center" | '''Damage''' || align="center" | '''Stun Damage'''
 
| align="center" | '''Move''' || align="center" | '''Motion''' || align="center" | '''Damage''' || align="center" | '''Stun Damage'''
 
|-
 
|-
| align="center" | Air Tatsumaki Zankuukyaku (Short) || align="center" | '''(Air)''' QCB+LK || align="center" | 80 || align="center" | 3
+
| align="center" | Air Tatsumaki Zankuukyaku (Short) || align="center" | '''(Air)''' QCB LK || align="center" | 80 || align="center" | 3
 
|-
 
|-
| align="center" | Air Tatsumaki Zankuukyaku (Foward) || align="center" | '''(Air)''' QCB+MK || align="center" | 80 || align="center" | 3
+
| align="center" | Air Tatsumaki Zankuukyaku (Foward) || align="center" | '''(Air)''' QCB MK || align="center" | 80 || align="center" | 3
 
|-
 
|-
 
| align="center" | 2nd Hit || align="center" | - || align="center" | 80 || align="center" | 5?
 
| align="center" | 2nd Hit || align="center" | - || align="center" | 80 || align="center" | 5?
 
|-
 
|-
| align="center" | Air Tatsumaki Zankuukyaku (Roundhouse) || align="center" | '''(Air)''' QCB+HK || align="center" | 80 || align="center" | 3
+
| align="center" | Air Tatsumaki Zankuukyaku (Roundhouse) || align="center" | '''(Air)''' QCB HK || align="center" | 80 || align="center" | 3
 
|-
 
|-
 
| align="center" | 2nd Hit || align="center" | - || align="center" | 80 || align="center" | 5?
 
| align="center" | 2nd Hit || align="center" | - || align="center" | 80 || align="center" | 5?
Line 649: Line 649:
 
| align="center" | '''Move''' || align="center" | '''Motion''' || align="center" | '''Damage''' || align="center" | '''Stun Damage'''
 
| align="center" | '''Move''' || align="center" | '''Motion''' || align="center" | '''Damage''' || align="center" | '''Stun Damage'''
 
|-
 
|-
| align="center" | Gou Shoryuken (Jab) || align="center" | F, D, DF+LP || align="center" | 130(100) || align="center" | 11(9)
+
| align="center" | Gou Shoryuken (Jab) || align="center" | F, D, DF LP || align="center" | 130(100) || align="center" | 11(9)
 
|-
 
|-
| align="center" | Gou Shoryuken (Strong) || align="center" | F, D, DF+MP || align="center" | 100 || align="center" | 11
+
| align="center" | Gou Shoryuken (Strong) || align="center" | F, D, DF MP || align="center" | 100 || align="center" | 11
 
|-
 
|-
 
| align="center" | 2nd Hit || align="center" | - || align="center" | 50 || align="center" | 3
 
| align="center" | 2nd Hit || align="center" | - || align="center" | 50 || align="center" | 3
 
|-
 
|-
| align="center" | Gou Shoryuken (Fierce) || align="center" | F, D, DF+HP || align="center" | 60 || align="center" | 11
+
| align="center" | Gou Shoryuken (Fierce) || align="center" | F, D, DF HP || align="center" | 60 || align="center" | 11
 
|-
 
|-
 
| align="center" | 2nd Hit || align="center" | - || align="center" | 60 || align="center" | 3
 
| align="center" | 2nd Hit || align="center" | - || align="center" | 60 || align="center" | 3
Line 669: Line 669:
 
| align="center" | '''Move''' || align="center" | '''Motion''' || align="center" | '''Damage''' || align="center" | '''Stun Damage'''
 
| align="center" | '''Move''' || align="center" | '''Motion''' || align="center" | '''Damage''' || align="center" | '''Stun Damage'''
 
|-
 
|-
| align="center" | Hyakki Gouzan || align="center" | During F, D, DF+K (No input) || align="center" | 100 || align="center" | 3
+
| align="center" | Hyakki Gouzan || align="center" | During F, D, DF K (No input) || align="center" | 100 || align="center" | 3
 
|}
 
|}
 
''Comments here''
 
''Comments here''
Line 679: Line 679:
 
| align="center" | '''Move''' || align="center" | '''Motion''' || align="center" | '''Damage''' || align="center" | '''Stun Damage'''
 
| align="center" | '''Move''' || align="center" | '''Motion''' || align="center" | '''Damage''' || align="center" | '''Stun Damage'''
 
|-
 
|-
| align="center" | Hyakki Goushou || align="center" | During F, D, DF+K press P || align="center" | 130 || align="center" | 13
+
| align="center" | Hyakki Goushou || align="center" | During F, D, DF K press P || align="center" | 130 || align="center" | 13
 
|}
 
|}
 
''Comments here''
 
''Comments here''
Line 689: Line 689:
 
| align="center" | '''Move''' || align="center" | '''Motion''' || align="center" | '''Damage''' || align="center" | '''Stun Damage'''
 
| align="center" | '''Move''' || align="center" | '''Motion''' || align="center" | '''Damage''' || align="center" | '''Stun Damage'''
 
|-
 
|-
| align="center" | Hyakki Goujin || align="center" | During F, D, DF+K press K || align="center" | 100 || align="center" | 11
+
| align="center" | Hyakki Goujin || align="center" | During F, D, DF K press K || align="center" | 100 || align="center" | 11
 
|}
 
|}
 
''Comments here''
 
''Comments here''
Line 698: Line 698:
 
| align="center" | '''Move''' || align="center" | '''Motion''' || align="center" | '''Damage''' || align="center" | '''Stun Damage''' || align="center" | '''Throw Range'''
 
| align="center" | '''Move''' || align="center" | '''Motion''' || align="center" | '''Damage''' || align="center" | '''Stun Damage''' || align="center" | '''Throw Range'''
 
|-
 
|-
| align="center" | Hyakki Gousai || align="center" | During F, D, DF+K press LP+LK || align="center" | 110 || align="center" | 15 || align="center" | 17
+
| align="center" | Hyakki Gousai || align="center" | During F, D, DF K press LP LK || align="center" | 110 || align="center" | 15 || align="center" | 17
 
|}
 
|}
 
''Comments here''
 
''Comments here''
Line 709: Line 709:
 
| align="center" | '''Num.''' || align="center" | '''Super Art Name''' || align="center" | '''Motion''' || align="center" | '''Damage''' || align="center" | '''Stun Damage'''
 
| align="center" | '''Num.''' || align="center" | '''Super Art Name''' || align="center" | '''Motion''' || align="center" | '''Damage''' || align="center" | '''Stun Damage'''
 
|-
 
|-
| align="center" | I || align="center" | Messatsu Gou Hadou || align="center" | QCF QCF+P || align="center" | 55 || align="center" | 0
+
| align="center" | I || align="center" | Messatsu Gou Hadou || align="center" | QCF QCF P || align="center" | 55 || align="center" | 0
 
|-
 
|-
 
| align="center" | - || align="center" | 2nd Hit || align="center" | - || align="center" | 55 || align="center" | 0
 
| align="center" | - || align="center" | 2nd Hit || align="center" | - || align="center" | 55 || align="center" | 0
Line 729: Line 729:
 
| align="center" | '''Num.''' || align="center" | '''Super Art Name''' || align="center" | '''Motion''' || align="center" | '''Damage''' || align="center" | '''Stun Damage'''
 
| align="center" | '''Num.''' || align="center" | '''Super Art Name''' || align="center" | '''Motion''' || align="center" | '''Damage''' || align="center" | '''Stun Damage'''
 
|-
 
|-
| align="center" | I || align="center" | Tenma Gou Zankuu || align="center" | '''(Air)''' QCF QCF+P || align="center" | 60 || align="center" | 0
+
| align="center" | I || align="center" | Tenma Gou Zankuu || align="center" | '''(Air)''' QCF QCF P || align="center" | 60 || align="center" | 0
 
|-
 
|-
 
| align="center" | - || align="center" | 2nd Hit || align="center" | - || align="center" | 60 || align="center" | 0
 
| align="center" | - || align="center" | 2nd Hit || align="center" | - || align="center" | 60 || align="center" | 0
Line 749: Line 749:
 
| align="center" | '''Num.''' || align="center" | '''Super Art Name''' || align="center" | '''Motion''' || align="center" | '''Damage''' || align="center" | '''Stun Damage'''
 
| align="center" | '''Num.''' || align="center" | '''Super Art Name''' || align="center" | '''Motion''' || align="center" | '''Damage''' || align="center" | '''Stun Damage'''
 
|-
 
|-
| align="center" | II || align="center" | Messatsu Gou Shoryu || align="center" | QCF QCF+P || align="center" | 40 || align="center" | 0
+
| align="center" | II || align="center" | Messatsu Gou Shoryu || align="center" | QCF QCF P || align="center" | 40 || align="center" | 0
 
|-
 
|-
 
| align="center" | - || align="center" | 2nd Hit || align="center" | - || align="center" | 40 || align="center" | 3
 
| align="center" | - || align="center" | 2nd Hit || align="center" | - || align="center" | 40 || align="center" | 3
Line 771: Line 771:
 
| align="center" | '''Num.''' || align="center" | '''Super Art Name''' || align="center" | '''Motion''' || align="center" | '''Damage''' || align="center" | '''Stun Damage'''
 
| align="center" | '''Num.''' || align="center" | '''Super Art Name''' || align="center" | '''Motion''' || align="center" | '''Damage''' || align="center" | '''Stun Damage'''
 
|-
 
|-
| align="center" | III || align="center" | Messatsu Gou Rasen || align="center" | QCF QCF+K || align="center" | 70 || align="center" | 0
+
| align="center" | III || align="center" | Messatsu Gou Rasen || align="center" | QCF QCF K || align="center" | 70 || align="center" | 0
 
|-
 
|-
 
| align="center" | - || align="center" | 2nd Hit || align="center" | - || align="center" | 40? || align="center" | 0
 
| align="center" | - || align="center" | 2nd Hit || align="center" | - || align="center" | 40? || align="center" | 0
Line 803: Line 803:
 
| align="center" | '''Num.''' || align="center" | '''Super Art Name''' || align="center" | '''Motion''' || align="center" | '''Damage''' || align="center" | '''Stun Damage'''
 
| align="center" | '''Num.''' || align="center" | '''Super Art Name''' || align="center" | '''Motion''' || align="center" | '''Damage''' || align="center" | '''Stun Damage'''
 
|-
 
|-
| align="center" | III || align="center" | Messatsu Gou Senpuu || align="center" | '''(Air)''' QCF QCF+K || align="center" | 60 || align="center" | 0
+
| align="center" | III || align="center" | Messatsu Gou Senpuu || align="center" | '''(Air)''' QCF QCF K || align="center" | 60 || align="center" | 0
 
|-
 
|-
 
| align="center" | - || align="center" | 2nd Hit || align="center" | - || align="center" | 55? || align="center" | 0
 
| align="center" | - || align="center" | 2nd Hit || align="center" | - || align="center" | 55? || align="center" | 0
Line 839: Line 839:
 
| align="center" | '''Num.''' || align="center" | '''Super Art Name''' || align="center" | '''Motion''' || align="center" | '''Damage''' || align="center" | '''Stun Damage'''
 
| align="center" | '''Num.''' || align="center" | '''Super Art Name''' || align="center" | '''Motion''' || align="center" | '''Damage''' || align="center" | '''Stun Damage'''
 
|-
 
|-
| align="center" | any || align="center" | Kongou Kokuretsu Zan || align="center" | DDD+PP or DDD+PPP || align="center" | 370(300) || align="center" | 15
+
| align="center" | any || align="center" | Kongou Kokuretsu Zan || align="center" | DDD PP or DDD PPP || align="center" | 370(300) || align="center" | 15
 
|-
 
|-
 
| align="center" | - || align="center" | 2nd Hit || align="center" | - || align="center" | 55 || align="center" | 3
 
| align="center" | - || align="center" | 2nd Hit || align="center" | - || align="center" | 55 || align="center" | 3
Line 872: Line 872:
 
*UOH
 
*UOH
  
*F+MP
+
*F MP
  
 
*Air Hadouken
 
*Air Hadouken
Line 879: Line 879:
  
 
=== Midscreen ===
 
=== Midscreen ===
You may add some moves such as; Dive Kick, J+HP, J+Tatsu, J+Hadou, etc. before these combos for more damage/hits.
+
You may add some moves such as; Dive Kick, J HP, J Tatsu, J Hadou, etc. before these combos for more damage/hits.
  
 
==== Everyone ====
 
==== Everyone ====
 
*MP HP (Target Combo)
 
*MP HP (Target Combo)
*C+MK, LK-Tatsu, Shoryu  
+
*C MK, LK-Tatsu, Shoryu  
*S+HP, LK-Tatsu, Shoryu  
+
*S HP, LK-Tatsu, Shoryu  
*C+MK, MK-Tatsu, MP-Shoryu (Does not work on Hugo)
+
*C MK, MK-Tatsu, MP-Shoryu (Does not work on Hugo)
  
 
==== Specific to: ====
 
==== Specific to: ====
 
Chun-Li, Makoto, Q, Alex, Necro, Twelve, and Elena
 
Chun-Li, Makoto, Q, Alex, Necro, Twelve, and Elena
  
*C+MK, MK-Tatsu, HP-Shoryu
+
*C MK, MK-Tatsu, HP-Shoryu
  
 
=== Hit Confirms ===
 
=== Hit Confirms ===
Line 900: Line 900:
 
==== SA1 ====
 
==== SA1 ====
  
*C+MK, SA1
+
*C MK, SA1
*C+LK x2 xx SA1
+
*C LK x2 xx SA1
*C+LK, C+LP, C+LK xx SA1
+
*C LK, C LP, C LK xx SA1
*C+MP, SA1
+
*C MP, SA1
 
*Close S.MK, SA1
 
*Close S.MK, SA1
  
 
==== SA2 ====
 
==== SA2 ====
  
*C+HP, MP Shoryu xx SA2
+
*C HP, MP Shoryu xx SA2
*C+MK, MP Shoryu xx SA2
+
*C MK, MP Shoryu xx SA2
*J+HP, C+MP/C+MK, MP-Shoryu xx SA2
+
*J HP, C MP/C MK, MP-Shoryu xx SA2
*C+LK x2 xx SA2
+
*C LK x2 xx SA2
  
 
==== SA3 ====
 
==== SA3 ====
  
*C+MK xx SA3.
+
*C MK xx SA3.
  
*J+HK, C+HP, LK-Tatsu xx SA3
+
*J HK, C HP, LK-Tatsu xx SA3
  
 
=== Other ===
 
=== Other ===
Line 923: Line 923:
 
* (far) HK, Shun Goku Satsu
 
* (far) HK, Shun Goku Satsu
  
* C+MK, LK-Tatsu, LP (reset), Kongou Kokuretsu Zan
+
* C MK, LK-Tatsu, LP (reset), Kongou Kokuretsu Zan
  
 
=== Corner ===
 
=== Corner ===
You can add Akuma's dive kick or a J+HP before these combos for more damage.
+
You can add Akuma's dive kick or a J HP before these combos for more damage.
  
*C+MK, Tatsu, Shoryu xx SA1, Shoryu
+
*C MK, Tatsu, Shoryu xx SA1, Shoryu
*C+MK, Tatsu, Shoryu xx SA1, SA1, Shoryu
+
*C MK, Tatsu, Shoryu xx SA1, SA1, Shoryu
  
 
== Frame Data ==
 
== Frame Data ==
Line 1,069: Line 1,069:
 
| align="center" | -4
 
| align="center" | -4
 
| align="center" | -2
 
| align="center" | -2
| align="center" | 120+80 (40)
+
| align="center" | 120 80 (40)
 
| align="center" | H
 
| align="center" | H
| align="center" | 13+11
+
| align="center" | 13 11
 
| style="background:#ff6666;" align="center" | No
 
| style="background:#ff6666;" align="center" | No
 
| style="background:#ff6666;" align="center" | No
 
| style="background:#ff6666;" align="center" | No
Line 1,242: Line 1,242:
 
| align="center" style="background:#cc99cc;" | -
 
| align="center" style="background:#cc99cc;" | -
 
| align="center" style="background:#cc99cc;" | -
 
| align="center" style="background:#cc99cc;" | -
| align="center" style="background:#cc99cc;" | 40+50
+
| align="center" style="background:#cc99cc;" | 40 50
 
| align="center" style="background:#cc99cc;" | H
 
| align="center" style="background:#cc99cc;" | H
| align="center" style="background:#cc99cc;" | 9+7
+
| align="center" style="background:#cc99cc;" | 9 7
 
| style="background:#ff6666;" align="center" | No
 
| style="background:#ff6666;" align="center" | No
 
| style="background:#ff6666;" align="center" | No
 
| style="background:#ff6666;" align="center" | No
Line 1,522: Line 1,522:
 
| align="center" style="background:#cc99cc;" | 43
 
| align="center" style="background:#cc99cc;" | 43
 
| align="center" style="background:#cc99cc;" | -18
 
| align="center" style="background:#cc99cc;" | -18
| align="center" style="background:#cc99cc;" | 50+50
+
| align="center" style="background:#cc99cc;" | 50 50
 
| align="center" style="background:#cc99cc;" | H
 
| align="center" style="background:#cc99cc;" | H
| align="center" style="background:#cc99cc;" | 3+3
+
| align="center" style="background:#cc99cc;" | 3 3
 
| style="background:#99cc99;" align="center" | Yes
 
| style="background:#99cc99;" align="center" | Yes
 
|-
 
|-
Line 1,532: Line 1,532:
 
| align="center" | 44
 
| align="center" | 44
 
| align="center" | -15
 
| align="center" | -15
| align="center" | 50+50+50
+
| align="center" | 50 50 50
 
| align="center" | H
 
| align="center" | H
| align="center" | 3+3+3
+
| align="center" | 3 3 3
 
| style="background:#99cc99;" align="center" | Yes
 
| style="background:#99cc99;" align="center" | Yes
 
|-
 
|-
Line 1,552: Line 1,552:
 
| align="center" | 41
 
| align="center" | 41
 
| align="center" | -30
 
| align="center" | -30
| align="center" | 100+50
+
| align="center" | 100 50
 
| align="center" | H/L
 
| align="center" | H/L
| align="center" | 11+3
+
| align="center" | 11 3
| style="background:#99cc99;" align="center" | Yes+No
+
| style="background:#99cc99;" align="center" | Yes No
 
|-
 
|-
 
| style="background:#efefef;" align="center" | '''Gou Shoryuken (Fierce)'''
 
| style="background:#efefef;" align="center" | '''Gou Shoryuken (Fierce)'''
Line 1,562: Line 1,562:
 
| align="center" style="background:#cc99cc;" | 35
 
| align="center" style="background:#cc99cc;" | 35
 
| align="center" style="background:#cc99cc;" | -34
 
| align="center" style="background:#cc99cc;" | -34
| align="center" style="background:#cc99cc;" | 60+60+60
+
| align="center" style="background:#cc99cc;" | 60 60 60
 
| align="center" style="background:#cc99cc;" | H/L
 
| align="center" style="background:#cc99cc;" | H/L
| align="center" style="background:#cc99cc;" | 11+3+3
+
| align="center" style="background:#cc99cc;" | 11 3 3
| style="background:#99cc99;" align="center" | Yes+Yes+No
+
| style="background:#99cc99;" align="center" | Yes Yes No
 
|-
 
|-
 
| style="background:#efefef;" align="center" | '''Tatsumaki Zankuukyaku (Short)'''
 
| style="background:#efefef;" align="center" | '''Tatsumaki Zankuukyaku (Short)'''
Line 1,624: Line 1,624:
 
| align="center" style="background:#cc99cc;" | 80x2
 
| align="center" style="background:#cc99cc;" | 80x2
 
| align="center" style="background:#cc99cc;" | H
 
| align="center" style="background:#cc99cc;" | H
| align="center" style="background:#cc99cc;" | 3+5
+
| align="center" style="background:#cc99cc;" | 3 5
 
| style="background:#99cc99;" align="center" | Yes
 
| style="background:#99cc99;" align="center" | Yes
 
|-
 
|-
Line 1,634: Line 1,634:
 
| align="center" | 80x4
 
| align="center" | 80x4
 
| align="center" | H
 
| align="center" | H
| align="center" | (3+5)x2
+
| align="center" | (3 5)x2
 
| style="background:#99cc99;" align="center" | Yes
 
| style="background:#99cc99;" align="center" | Yes
 
|-
 
|-
Line 1,644: Line 1,644:
 
| align="center" style="background:#cc99cc;" | 80x8
 
| align="center" style="background:#cc99cc;" | 80x8
 
| align="center" style="background:#cc99cc;" | H
 
| align="center" style="background:#cc99cc;" | H
| align="center" style="background:#cc99cc;" | (3+5)x4
+
| align="center" style="background:#cc99cc;" | (3 5)x4
 
| style="background:#99cc99;" align="center" | Yes
 
| style="background:#99cc99;" align="center" | Yes
 
|-
 
|-
Line 1,715: Line 1,715:
 
| align="center" | 49
 
| align="center" | 49
 
| align="center" | -13
 
| align="center" | -13
| align="center" | 55x5+60
+
| align="center" | 55x5 60
 
| align="center" | H
 
| align="center" | H
 
| align="center" | 0
 
| align="center" | 0
Line 1,724: Line 1,724:
 
| align="center" style="background:#cc99cc;" | 13
 
| align="center" style="background:#cc99cc;" | 13
 
| align="center" style="background:#cc99cc;" | -
 
| align="center" style="background:#cc99cc;" | -
| align="center" style="background:#cc99cc;" | 60x5+80
+
| align="center" style="background:#cc99cc;" | 60x5 80
 
| align="center" style="background:#cc99cc;" | H
 
| align="center" style="background:#cc99cc;" | H
 
| align="center" style="background:#cc99cc;" | 0
 
| align="center" style="background:#cc99cc;" | 0
Line 1,922: Line 1,922:
 
| align="center" style="background:#cc99cc;" | -
 
| align="center" style="background:#cc99cc;" | -
 
| align="center" style="background:#cc99cc;" | -
 
| align="center" style="background:#cc99cc;" | -
| align="center" style="background:#cc99cc;" | 55+55+40
+
| align="center" style="background:#cc99cc;" | 55 55 40
 
| align="center" style="background:#cc99cc;" | H/L
 
| align="center" style="background:#cc99cc;" | H/L
| align="center" style="background:#cc99cc;" | 3+3+3
+
| align="center" style="background:#cc99cc;" | 3 3 3
 
|-
 
|-
 
| align="center" | '''" (Tidal Waves) (2nd part)'''
 
| align="center" | '''" (Tidal Waves) (2nd part)'''
Line 1,931: Line 1,931:
 
| align="center" | -
 
| align="center" | -
 
| align="center" | -
 
| align="center" | -
| align="center" | 55+55+40
+
| align="center" | 55 55 40
 
| align="center" | H/L
 
| align="center" | H/L
| align="center" | 3+3+3
+
| align="center" | 3 3 3
 
|-
 
|-
 
| align="center" | '''" (Tidal Waves) (3rd part)'''
 
| align="center" | '''" (Tidal Waves) (3rd part)'''
Line 1,940: Line 1,940:
 
| align="center" style="background:#cc99cc;" | -
 
| align="center" style="background:#cc99cc;" | -
 
| align="center" style="background:#cc99cc;" | -25
 
| align="center" style="background:#cc99cc;" | -25
| align="center" style="background:#cc99cc;" | 40+40+40
+
| align="center" style="background:#cc99cc;" | 40 40 40
 
| align="center" style="background:#cc99cc;" | H/L
 
| align="center" style="background:#cc99cc;" | H/L
| align="center" style="background:#cc99cc;" | 3+3+3
+
| align="center" style="background:#cc99cc;" | 3 3 3
 
|}
 
|}
  
Line 2,082: Line 2,082:
 
'''Raging Demon Set-ups'''
 
'''Raging Demon Set-ups'''
  
- Kara Demon: Twds + mp, lp, lp, down forward, lk, hp!
+
- Kara Demon: Twds   mp, lp, lp, down forward, lk, hp!
 
(if done right, then the raging demon will come out before the first hit of mp)
 
(if done right, then the raging demon will come out before the first hit of mp)
  
Line 2,169: Line 2,169:
 
Ok, so you're in the flip...now what?
 
Ok, so you're in the flip...now what?
  
Like I said, the kick is your main option, so lets talk about that. Its tempting to always late cancel the flip so you can combo. The first thing you learn in Mixup 101 is always doing one thing in a situation = death, so you have to early cancel this thing too. Once people start getting knocked by the early cancel, they wont be so tempted to try to AA you everytime, or parry, and an early cancel kick can lead to RD setups or kara throws or more flips. Its a good sign if they just start blocking the kicks, because you are getting close to locking them down, and you have them unprepared for throws. The blocked kicks should be followed up pretty much the same way as an early cancel kick. Either land, normal > demon flip, kara throws, or if you can, an RD. I also like going for the f+mp overhead after blocked or early canceled kicks.
+
Like I said, the kick is your main option, so lets talk about that. Its tempting to always late cancel the flip so you can combo. The first thing you learn in Mixup 101 is always doing one thing in a situation = death, so you have to early cancel this thing too. Once people start getting knocked by the early cancel, they wont be so tempted to try to AA you everytime, or parry, and an early cancel kick can lead to RD setups or kara throws or more flips. Its a good sign if they just start blocking the kicks, because you are getting close to locking them down, and you have them unprepared for throws. The blocked kicks should be followed up pretty much the same way as an early cancel kick. Either land, normal > demon flip, kara throws, or if you can, an RD. I also like going for the f mp overhead after blocked or early canceled kicks.
  
 
You also have the cross up kick. I'm just starting to use this thing, but its really great because its ambigous. What sucks though is you really need to know what situations it will cross people up on. Most of the time, a cl.mk > mk flip, and early cancel the kick will lead to a crossup. If anyone can give some insight on crossups with demon flips that would be great.
 
You also have the cross up kick. I'm just starting to use this thing, but its really great because its ambigous. What sucks though is you really need to know what situations it will cross people up on. Most of the time, a cl.mk > mk flip, and early cancel the kick will lead to a crossup. If anyone can give some insight on crossups with demon flips that would be great.
Line 2,217: Line 2,217:
 
Another offensive option from mid range in order to get close is to cancel hit or blocked low forwards into Akuma's daemon flip. Akuma has a fairly good mix-up game from this that can work well as long as it's not used more than a few times in a match, if you become predictable with it, your opponent may be able to punish you. The input for this is (F > D >  MK > DF and any kick (LK/MK/HK)). The kick pressed determines the distance of Akuma’s flips. Use the short kick to keep the pressure on with dive kicks, and use the other two for his throw.
 
Another offensive option from mid range in order to get close is to cancel hit or blocked low forwards into Akuma's daemon flip. Akuma has a fairly good mix-up game from this that can work well as long as it's not used more than a few times in a match, if you become predictable with it, your opponent may be able to punish you. The input for this is (F > D >  MK > DF and any kick (LK/MK/HK)). The kick pressed determines the distance of Akuma’s flips. Use the short kick to keep the pressure on with dive kicks, and use the other two for his throw.
  
Once Akuma scores a knockdown he becomes extremely dangerous. He can hit confirm his close standing forward into his B&B juggle. He can also confirm marginal damage starting low without a super with this combo (c.LK > c.LP x RH Tatsu. If in the corner, cancel into LK Tatsu and juggle with an extremely early MP Shoryuken. This can additionally be canceled off the first hit into Messatsu go Hadou if you have built enough meter). If you have super, Akuma is usually better off starting low with c.LK > c.LK x Super.
+
Once Akuma scores a knockdown he becomes extremely dangerous. He can hit confirm his close standing forward into his B
 
+
*A note on Akuma's B&B juggles. If you hit a close standing LK do not immediately cancel into Messatsu go Hadou, instead, cancel into LK Tatsu if your opponent is not crouching when hit. Akuma's s.LP reset into Messatsu go Hadou is much better. Despite the fact it can be parried, Akuma will recover well before his opponent has finished parrying all 6 hits, and can dash in and attack to screw up their timing. This almost always does more damage than his link (additional things to consider; it is wise to link the close standing forward into Messatsu go Hadou only if they are crouching or if it will win you the round).
+
 
+
*Another juggle that people often over look and deem as "too hard" to be practical, is his LP reset into Kongoku-kuretsuzan. This is his BEST combo. It does an insane amount of damage and is inescapable after the first hit of the combo connects. This reset cannot be parried and this super usually does more damage than a daemon. An important thing to do is to activate the jab as early as possible, as it often determines whether or not there is enough time to link the super. In my opinion, this combo really only needs to be practiced for about a week before it becomes second nature.
+
 
+
If you don’t have meter, Akuma’s best option is usually to juggle with a semi late fierce Shoryuken. You can also try to reset them with a standing fierce, and cancel that into his forward daemon flip and continue the pressure. If you have already tried canceling into forward daemon flip, try cancelling the fierce into the short daemon flip and just let it finish into the sweep. Akuma is usually safe after this sweep, and from the right range, that set-up puts you in the right place to block a counter attack from most characters, again, watch out for supers with quick start ups before executing this attack.
+
 
+
Another one of Akuma’s great strengths that absolutely needs to be mastered is his Asura Senkuu or his teleport. This move completely ruins the game plans of characters like Denjin-Ryu (Use it to go through meaty Denjins), Urien (Escape Aegis unblockables), and Hugo. It can also be used as a way to run away from Genei-jin, although when doing this you must be extremely careful. Reversal teleport is mandatory for high level Akuma play, as it allows him one way to get around his terrible stamina.
+
 
+
The last important tactic for an Akuma player to know is also his most infamous: His daemons. Akuma’s raging daemon puts Akuma’s mix up game on the same level as Makoto’s, and almost as good as Dudley’s. It is important to only use this super in much the same way Hugo uses his Gigas breaker super. Only use this super at point blank range or as Kara. If it is not done at point blank range, any scrub will know enough to jump and avoid it. Performed correctly however, if it is done point blank (like all grab supers need to be); they cannot escape by that method. In fact it can help to ignore that the daemon travels any sort of distance at all. Be careful when Kara canceling the daemon though because during those first few frames that gain extra range Akuma is not considered in the daemon animation therefore he will not pass through opponents attacks. Only regular daemons are reliable for there invincibility frames.
+
 
+
Akuma has a few basic ways to land his daemon. These setups are:
+
 
+
*Dash-daemon
+
*Dash-Kara daemon
+
*Tick Kara-daemon
+
*Empty cancel daemon flip into Kara daemon
+
And even
+
*Wake-up daemon.
+
 
+
Dash daemon is performed by buffering two jabs in the dash then simply finishing the command. Kara daemon is the same as his Kara throw (F + MP) but finishing the command instead. (Props to Jiro/Harmonaz for showing this final daemon set up). This is by far the best use of a daemon I have ever seen.
+
 
+
To perform the WALK UP KARA-DEAMON you simply need to be fast enough to input the raging daemon command within the same time window that you Kara cancel Akuma’s F + MK for a Kara throw. The input for this is [LP > LP > F > LK > HP]. This way Akuma will do his famous Kara throw grunt and move forward then cancelling it into a daemon. Obviously this is extremely hard to do, but there are a few ways you can practice and learn this. I learnt that hitting LP and F at the same time for the first LP helps cut time off. Then you need to train your hands to hit LP > LK > HP afterwards. The hardest part I found was getting the tap correct. Remember the timing for the input is really strict but the daemon input itself isn't so much in 3S. Don't worry if you can't do it right away, Harmonaz said it took him 25 min just to learn it in his video, in perspective it took me several hours. Even Japanese players like Jiro and Match don't get it all the time, just watch their matches where they whiff in front of their opponent with max meter, that just goes to show how hard this setup is.
+
 
+
*Akuma has a couple of not-so-hot setups for daemons that should be avoided. I sometimes see beginners use these setups, but they aren’t safe. They are his c.HK blocked canceled into daemon, and his juggle HP reset, whiff LK Tatsu while hiding two LP in the Tatsu then finishing the command at point blank. The reason these setups don’t work is that they are easy to see coming for an experienced player. Most experienced players will jump back when they see these set-ups done by an Akuma with maxed super.
+
 
+
(''Lately I have been experimenting with a very good, but extremely difficult daemon setup that, when done correctly, can really add to Akuma’s daemon mix up. It is very possible, although very difficult, to hide two LP inputs inside the two c.LK inputs in a blocked version of Akuma’s c.LK hit confirm. If the c.LK > c.LK is blocked, Akuma can then cancel into an immediate Kara daemon if the inputs were done correctly. It must be Kara daemon as the two LKs push Akuma too far out of point blank range on block. The command for this is to hit c.LK then immediately hit c.LP during the short animation and hold then hit c.LK to get the second LK, and almost simultaneously negative edge the second LP by releasing LP, then cancel into Kara daemon. If done correctly Akuma will release two c.LKs without releasing a c.LP. The timing for the button presses is similar to Kara canceling Yun's standing short into LP dash punch if you have any experience with Yun’s juggles.'')
+
 
+
==Match-ups==
+
===Serious Advantage Match-ups===
+
''Akuma has no match-ups where he is at a serious advantage''
+
===Advantage Match-ups===
+
*Dudley
+
*Urien - ''Can be a very frustrating matchup for Urien, given Akuma can teleport out of reflectors, and his mk tatsumaki is completely safe, as long as it's not parried.''
+
*Elena
+
*Necro
+
*Alex
+
*Remy
+
*Q
+
*Hugo
+
*Twelve
+
*Sean
+
 
+
===Fair Match-ups===
+
*Akuma
+
*Ibuki
+
===Disadvantage Match-ups===
+
*Yun
+
*Chun-Li
+
*Ken
+
*Makoto - ''This matchup really depends on the quality of the Makoto and Akuma players. Akuma must avoid being stun-grabbed at nearly all costs, considering Makoto has one of the easiest 100% stun combos (out of her SAII) on him in the game. If Makoto gets that one stun-grab on her half of the screen with meter, the round is basically over.''
+
*Ryu
+
*Oro
+
*Yang
+
 
+
===Serious Disadvantage Match-ups===
+
''Akuma has no match-ups where he is at a serious disadvantage''
+
 
+
 
+
 
+
==Discussion==
+
 
+
http://forums.shoryuken.com/showthread.php?t=124993
+
 
+
{{Template:3rd Strike}}
+
 
+
[[Category: Street Fighter 3: 3rd Strike]]
+
[[Category: Akuma]]
+

Revision as of 15:47, 28 October 2007

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Akuma's Character Select Portrait
Akuma's Neutral Stance

Introduction

When playing Akuma the basic goal is to use his superior zoning ability in order to control your opponent’s options, and at the same time, minimizing the risk of getting hit yourself.

It is very important to note (if you haven't noticed already) that Akuma has THE WORST defense rating of the characters in 3S. He is also tied with Remy for having the smallest stun bar of all of the characters 3S.

You should also note that Akuma's supers are all the same length, and that he has no EX moves. All this was done to counter balance his incredible offense and mix-up. Many people are turned away from Akuma because they see him as being too inconsistent due to his stamina, but I hope to reassure you that by making smart decisions during the match, Akuma has no holes at all in his game.

Colors

Colors.png

Moves List

Basics/Legend

Foward F
Back B
Crouch C
Jump J
Jump Foward JF
Jump Backwards JB
Super Jump D-U
Super Jump Foward D-UF
Super Jump Backwards D-UB
Dash Foward FF
Dash Backwards BB
Quarter Circle Foward QCF
Quarter Circle Backwards QCB
Half Circle Backwards HCB
Foward, Down, Down-Foward F, D, DF / DP
Back, Down, Down-Backwards B, D, DB
Guard (High) B when enemy is attacking
Guard (Low) DB when enemy is attacking
Parry (High) Tap F when about to take a hit
Parry (Low) Tap D when about to take a hit
Parry (Air) Tap F in air when about to take a hit
Red Parry Execute parry after blocking a hit in a combo
Punch (Any) P
Kick (Any) K
Jab LP
Strong MP
Fierce HP
Short LK
Foward MK
Roundhouse HK

Normal Moves

Move Motion
Jab LP
Strong MP
Fierce HP
Close Jab (Close to opponent) LP
Close Strong (Close to opponent) MP
Close Fierce (Close to opponent) HP
Short LK
Foward MK
Roundhouse HK
Close Foward (Close to opponent) MK
Close Roundhouse (Close to opponent) HK
Jumping Jab (Air) LP
Jumping Strong (Air) MP
Jumping Fierce (Air) HP
Neutral Jumping Fierce (Air) HP
Jumping Short (Air) LK
Jumping Foward (Air) MK
Neutral Jumping Foward (Air) MK
Jumping Roundhouse (Air) HK
Neutral Jumping Roundhouse (Air) Hk
Overhead MP MK
Taunt HP HK

Throws

Move Name Motion
Seoi Nage LP LK or F LP LK
Tomoe Nage B LP LK

Command Normals

Move Name Motion
Zugai Hasatsu F MP
Crouching Jab D LP
Crouching Strong D MP
Crouching Fierce D HP
Crouching Short D LK
Crouching Foward D MK
Crouching Roundhouse D HK
Tenma Kuujin Kyaku Jump Foward, D MK

Target Combos

  • close standing MP -> HP

Special Moves

Move Name Motion
Gou Hadouken QCF P
Zankuu Hadouken (Air) QCF P
Shakunestu Hadouken HCB P
Tatsumaki Zankuukyaku QCB K
Tatsumaki Zankuukyaku (Air) (Air) QCB K
Gou Shoryuken F, D, DF P
Hyakki Shuu F, D, DF K
Hyakki Gouzan During F, D, DF K (No input)
Hyakki Goushou During F, D, DF K, press P
Hyakki Goujin During F, D, DF K, press K
Hyakki Gousai During F, D, DF K, press LP LK when directly on top of opponent
Ashura Senkuu F, D, DF KK or F, D, DF KKK
Ashura Senkuu F, D, DF PP or F, D, DF PPP
Ashura Senkuu B ,D ,DB KK or B ,D ,DB KKK
Ashura Senkuu B ,D ,DB PP or B ,D ,DB PPP

EX Moves

Akuma has no EX moves.

Super Arts

Num. Super Art Name Motion Super Bars
I Messatsu Gou Hadou QCF QCF P 2 stocks
I Tenma Gou Zankuu (Air) QCF QCF P 2 stocks
II Messatsu Gou Shoryuu QCF QCF P 2 stocks
III Messatsu Gou Rasen QCF QCF K 2 stocks
III Messatsu Gou Senpuu (Air) QCF QCF K 2 stocks
any Shun Goku Satsu LP LP F LK HP MAX required
any Kongou Kokuretsu Zan DDD PP or DDD PPP MAX required

Move Analisys

All those sprites are taken from the site http://www.zweifuss.com/index.htm Please note that the images show in this section are for the 1st frame it hits, so this means the opponent is taking the hit in the image shown on the move. I use the 1st frame of every move because you will see the maximum range of every attack.

Normal Moves

(akumalp).gif
Move Motion Damage Stun Damage
Jab LP 20 3

Comments here


(akumamp).gif
Move Motion Damage Stun Damage
Strong MP 105 11

Comments here


(akumahp).gif
Move Motion Damage Stun Damage
Fierce HP 140 15

Comments here


(akumacloselp).gif
Move Motion Damage Stun Damage
Close Jab (Close to opponent) LP 30 3

Comments here


(akumaclosemp).gif
Move Motion Damage Stun Damage
Close Strong (Close to opponent) MP 115 7

Comments here


(akumaclosehp).gif
Move Motion Damage Stun Damage
Close Fierce (Close to opponent) HP 135 15

Comments here


(akumalk).gif
Move Motion Damage Stun Damage
Short LK 40 3

Comments here


(akumamk).gif
Move Motion Damage Stun Damage
Foward MK 95 7

Comments here


(akumahk).gif
Move Motion Damage Stun Damage
Roundhouse HK 145 11

Comments here


(akumaclosemk).gif
Move Motion Damage Stun Damage
Close Foward (Close to opponent) MK 115 9

Comments here


(akumaclosehk).gif
Move Motion Damage Stun Damage
Close Roundhouse (Close to opponent) HK 120 13
(2nd Hit) - 80 11

Comments here


(akumajlp).gif
Move Motion Damage Stun Damage
Jumping Jab (Air) LP 40 5

Comments here


(akumajmp).gif
Move Motion Damage Stun Damage
Jumping Strong (Air) MP 90 9

Comments here


(akumajmp).gif
Move Motion Damage Stun Damage
Jumping Fierce (Air) HP 130 13

Comments here


(akumanjhp).gif
Move Motion Damage Stun Damage
Neutral Jumping Fierce (Air) HP 130 13

Comments here


(akumajlk).gif
Move Motion Damage Stun Damage
Jumping Short (Air) LK 40 5

Comments here


(akumajmk).gif
Move Motion Damage Stun Damage
Jumping Foward (Air) MK 80 7

Comments here


(akumanjmk).gif
Move Motion Damage Stun Damage
Neutral Jumping Foward (Air) MK 80 7

Comments here


(akumajmk).gif
Move Motion Damage Stun Damage
Jumping Roundhouse (Air) HK 120 11

Comments here


(akumanjhk).gif
Move Motion Damage Stun Damage
Neutral Jumping Roundhouse (Air) HK 120 11

Comments here


(akumaoh).gif
Move Motion Damage Stun Damage
Universal Overhead MP MK 40 3

Comments here


Throws

Move Motion Damage Stun Damage Throw Range
Seoi Nage LP LK or F LP LK 110 9 24

Comments here


Move Motion Damage Stun Damage Throw Range
Tomoe Nage B LP LK 110 15 24

Comments here


Command Normals

(akumafmp).gif
Move Motion Damage Stun Damage
Zugai Hasatsu F MP 40 9
(2nd Hit) - 50 7

Comments here


(akumaclp).gif
Move Motion Damage Stun Damage
Crouching Jab D LP 20 3

Comments here


(akumacmp).gif
Move Motion Damage Stun Damage
Crouching Strong D MP 95 7

Comments here


(akumachp).gif
Move Motion Damage Stun Damage
Crouching Fierce D HP 135 11

Comments here


(akumaclk).gif
Move Motion Damage Stun Damage
Crouching Short D LK 20 3

Comments here


(akumacmk).gif
Move Motion Damage Stun Damage
Crouching Foward D MK 90 3

Comments here


(akumachk).gif
Move Motion Damage Stun Damage
Crouching Roundhouse D HK 130 3

Comments here


(akumajdmk).gif
Move Motion Damage Stun Damage
Tenma Kuujin Kyaku JF, D MK 90 11

Comments here


Special Moves

Please note that in this section you will see mainly 3 images for the special moves, this means the image on the left its done with LP (or LK), the image on the center its done with MP (or MK), and the image on the right its done with HP (or HK). Also its the same "rule" as the sections above, its the 1rst frame it hits for every of the moves.

(akumahdk).gif
Move Motion Damage Stun Damage Fireball Speed
Gou Hadouken (Jab) QCF LP 60 3 Slow
Gou Hadouken (Strong) QCF MP 60 3 Medium
Gou Hadouken (Fierce) QCF HP 60 3 Fast

Comments here


(akumazhdk).gif
Move Motion Damage Stun Damage Fireball Speed
Zankuu Hadouken (Jab) (Air) QCF LP 60 3 Slow
Zankuu Hadouken (Strong) (Air) QCF MP 60 3 Medium
Zankuu Hadouken (Fierce) (Air) QCF HP 60 3 Fast

Comments here


(akumashdk).gif
Move Motion Damage Stun Damage Fireball Speed
Shakunetsu Hadouken (Jab) HCB LP 50 3 Fast
Shakunetsu Hadouken (Strong) HCB MP 50 3 Medium
2nd Hit - 50 3 -
Shakunetsu Hadouken (Fierce) HCB HP 50 3 Slow
2nd Hit - 50 3 -
3rd Hit - 50 3 -

Comments here


(akumatzk).gif
Move Motion Damage Stun Damage
Tatsumaki Zankuukyaku (Short) QCB LK 100 7
Tatsumaki Zankuukyaku (Foward) QCB MK 90 7
2nd Hit - 30 3
Tatsumaki Zankuukyaku (Roundhouse) QCB HK 90 7
2nd Hit - 30 3
3rd Hit - 30 3

Comments here


(akumaatzk).gif
Move Motion Damage Stun Damage
Air Tatsumaki Zankuukyaku (Short) (Air) QCB LK 80 3
Air Tatsumaki Zankuukyaku (Foward) (Air) QCB MK 80 3
2nd Hit - 80 5?
Air Tatsumaki Zankuukyaku (Roundhouse) (Air) QCB HK 80 3
2nd Hit - 80 5?
3rd Hit - 80 5?
4th Hit - 80 5?

Comments here


(akumasrk).gif
Move Motion Damage Stun Damage
Gou Shoryuken (Jab) F, D, DF LP 130(100) 11(9)
Gou Shoryuken (Strong) F, D, DF MP 100 11
2nd Hit - 50 3
Gou Shoryuken (Fierce) F, D, DF HP 60 11
2nd Hit - 60 3
3rd Hit - 60 3

Comments here


(akumahgouzan).gif
Move Motion Damage Stun Damage
Hyakki Gouzan During F, D, DF K (No input) 100 3

Comments here


(akumahgoushou).gif
Move Motion Damage Stun Damage
Hyakki Goushou During F, D, DF K press P 130 13

Comments here


(akumahgoujin).gif
Move Motion Damage Stun Damage
Hyakki Goujin During F, D, DF K press K 100 11

Comments here


Move Motion Damage Stun Damage Throw Range
Hyakki Gousai During F, D, DF K press LP LK 110 15 17

Comments here

Super Arts

(akumamgh).gif
Num. Super Art Name Motion Damage Stun Damage
I Messatsu Gou Hadou QCF QCF P 55 0
- 2nd Hit - 55 0
- 3rd Hit - 55 0
- 4th Hit - 55 0
- 5th Hit - 55 0
- 6th Hit - 60 0

Comments here


(akumatgz).gif
Num. Super Art Name Motion Damage Stun Damage
I Tenma Gou Zankuu (Air) QCF QCF P 60 0
- 2nd Hit - 60 0
- 3rd Hit - 60 0
- 4th Hit - 60 0
- 5th Hit - 60 0
- 6th Hit - 80 0

Comments here


(akumamgs).gif
Num. Super Art Name Motion Damage Stun Damage
II Messatsu Gou Shoryu QCF QCF P 40 0
- 2nd Hit - 40 3
- 3rd Hit - 40 0
- 4th Hit - 50 3
- 5th Hit - 120 9
- 6th Hit - 110 5
- 7th Hit - 100 5

Comments here


(akumamgr).gif
Num. Super Art Name Motion Damage Stun Damage
III Messatsu Gou Rasen QCF QCF K 70 0
- 2nd Hit - 40? 0
- 3rd Hit - 40 0
- 4th Hit - 40 0
- 5th Hit - 40 0
- 6th Hit - 40 0
- 7th Hit - 40 0
- 8th Hit - 40 0
- 9th Hit - 40 0
- 10th Hit - 40 0
- 11th Hit - 40? 0
- 12th Hit - 130 0

Comments here


(akumamgsenpuu).gif
Num. Super Art Name Motion Damage Stun Damage
III Messatsu Gou Senpuu (Air) QCF QCF K 60 0
- 2nd Hit - 55? 0
- 3rd Hit - 55? 0
- 4th Hit - 70? 0
- 5th Hit - 40? 0
- 6th Hit - 40? 0
- 7th Hit - 60? 0
- 8th Hit - 40? 0
- 9th Hit - 40? 0
- 10th Hit - 130 0

Comments here


Num. Super Art Name Motion Damage Stun Damage Throw Range
any Shun Goku Satsu LP LP F LK HP 490 0 12

Comments here


Num. Super Art Name Motion Damage Stun Damage
any Kongou Kokuretsu Zan DDD PP or DDD PPP 370(300) 15
- 2nd Hit - 55 3
- 3rd Hit - 55 3
- 4th Hit - 40 3
- 5th Hit - 55 3
- 6th Hit - 55 3
- 7th Hit - 40 3
- 8th Hit - 40 3
- 9th Hit - 40 3
- 10th Hit - 40 3

Comments here


Meaties:

  • S.MK
  • S.MP
  • C.LK
  • UOH
  • F MP
  • Air Hadouken

Combos

Midscreen

You may add some moves such as; Dive Kick, J HP, J Tatsu, J Hadou, etc. before these combos for more damage/hits.

Everyone

  • MP HP (Target Combo)
  • C MK, LK-Tatsu, Shoryu
  • S HP, LK-Tatsu, Shoryu
  • C MK, MK-Tatsu, MP-Shoryu (Does not work on Hugo)

Specific to:

Chun-Li, Makoto, Q, Alex, Necro, Twelve, and Elena

  • C MK, MK-Tatsu, HP-Shoryu

Hit Confirms

  • C.LK, C.LK xx SA1 (Also C.LK, C.LP, C.LK or C.LK x3 on some characters)
  • Close S.MK, SA1
  • Dive Kick, SA1
  • Dive Kick, HP Dragon Punch

SA1

  • C MK, SA1
  • C LK x2 xx SA1
  • C LK, C LP, C LK xx SA1
  • C MP, SA1
  • Close S.MK, SA1

SA2

  • C HP, MP Shoryu xx SA2
  • C MK, MP Shoryu xx SA2
  • J HP, C MP/C MK, MP-Shoryu xx SA2
  • C LK x2 xx SA2

SA3

  • C MK xx SA3.
  • J HK, C HP, LK-Tatsu xx SA3

Other

  • (far) HK, Shun Goku Satsu
  • C MK, LK-Tatsu, LP (reset), Kongou Kokuretsu Zan

Corner

You can add Akuma's dive kick or a J HP before these combos for more damage.

  • C MK, Tatsu, Shoryu xx SA1, Shoryu
  • C MK, Tatsu, Shoryu xx SA1, SA1, Shoryu

Frame Data

Normals

Move Startup Hit Recovery Blocked Advantage Hit Advantage Crouching Hit Advantage Damage Parry Stun Chains into itself Special Cancel Super Cancel
Jab 3 2 5 3 3 3 30 H/L 3 No Yes Yes
Strong 5 3 10 1 2 3 115 H 7 No Yes Yes
Fierce 4 3 17 -4 -2 0 135 (100) H 15 (13) No Yes Yes
Far Jab 4 2 4 4 4 4 20 H/L 3 Yes Yes Yes
Far Strong 5 3 9 4 5 5 105 H 11 No Yes Yes
Far Fierce 8 4 22 -6 -4 -2 140 H 15 No No No
Short 4 3 7 2 2 2 40 H/L 3 No No No
Foward 4 4 11 2 4 6 115 H 9 No Yes Yes
Roundhouse 9 2*4 19 -6 -4 -2 120 80 (40) H 13 11 No No No
Far Short 4 3 7 2 2 2 40 H/L 3 No No No
Far Foward 5 4 17 -7 -6 -5 95 H 7 No No No
Far Roundhouse 9 4 20 -7 -5 -3 145 H 11 No No No
Overhead 16 7 7 -5~0 0~7 1~8 40 H 3 No No No

Throws

Move Startup Hit Recovery Blocked Advantage Hit Advantage Damage Parry Stun Chains into itself Special Cancel Super Cancel
Seoi Nage 2 1 21 - - 110 - 9 No No No
Tomoe Nage 2 1 21 - - 110 - 15 No No No

Command Normals

Move Startup Hit Recovery Blocked Advantage Hit Advantage Crouching Hit Advantage Damage Parry Stun Chains into itself Special Cancel Super Cancel
Crouching Jab 4 2 5 3 3 3 20 H/L 3 Yes Yes Yes
Crouching Strong 5 3 7 3 4 5 95 H/L 7 No Yes Yes
Crouching Fierce 5 4 19 -8 -6 -4 135 H/L 11 No Yes Yes
Zugai Hasatsu 14 1*1 22 -1 - - 40 50 H 9 7 No No No
Neutral Jumping Jab 5 - - - - - 40 H 5 No No No
Neutral Jumping Strong 5 4 - - - - 90 H 9 No No No
Neutral Jumping Fierce 6 2 - - - - 130 H 13 No No No
Jumping Jab 5 - - - - - 40 H 5 No No No
Jumping Strong 5 4 - - - - 90 H 9 No No No
Jumping Fierce 6 3 - - - - 130 H 13 No No No
Crouching Short 5 2 7 1 1 1 20 L 3 Yes Yes Yes
Crouching Foward 6 4 16 -3 -2 -1 90 L 3 No Yes Yes
Crouching Roundhouse 7 4 25 -15 - - 130 L 3 No No No
Neutral Jumping Short 5 9 - - - - 40 H 5 No No No
Neutral Jumping Foward 5 5 - - - - 80 H 7 No No No
Neutral Jumping Roundhouse 6 4 - - - - 120 H 11 No No No
Jumping Short 5 9 - - - - 40 H 5 No No No
Jumping Foward 5 5 - - - - 80 H 7 No No No
Jumping Roundhouse 6 3 - - - - 120 H 11 No No No
Tenma Kuujin Kyaku 9 - 3 - - - 90 H 11 No No No

Special Moves

Move Startup Hit Recovery Blocked Advantage Damage Parry Stun Super Cancel
Gou Hadouken 8 1 38 -11 60 H 3 Yes
Zankuu Hadouken 12 1 7 - 60 H 3 Yes
Shakunetsu Hadouken (Jab) 14 1 42 -23 50 H 3 Yes
Shakunetsu Hadouken (Strong) 19 1 43 -18 50 50 H 3 3 Yes
Shakunetsu Hadouken (Fierce) 24 1 44 -15 50 50 50 H 3 3 3 Yes
Gou Shoryuken (Jab) 3 13 26 -24 130 (100) H/L 11 (9) Yes
Gou Shoryuken (Strong) 2 1*4 41 -30 100 50 H/L 11 3 Yes No
Gou Shoryuken (Fierce) 1 1*1*18 35 -34 60 60 60 H/L 11 3 3 Yes Yes No
Tatsumaki Zankuukyaku (Short) 11 1 17 -12 100 H 7 No
Tatsumaki Zankuukyaku (Foward) 2 1 - - 90 H 7 Yes
" (2nd Hit) 8*2*3*1 1x4 16 -8 30x4 H 3x4 No
Tatsumaki Zankuukyaku (Roundhouse) 2 1 - - 90 H 7 Yes
" (2nd and 3rd Hit) 8*(1*2)x3*1 1x8 10 -5 30x8 H 3x8 No
Jumping Tatsumaki Zankuukyaku (Short) 5*3 1*1 9 - 80x2 H 3 5 Yes
Jumping Tatsumaki Zankuukyaku (Foward) 5*3x3 (1*1)x2 9 - 80x4 H (3 5)x2 Yes
Jumping Tatsumaki Zankuukyaku (Roundhouse) 5*3x7 (1*1)x4 9 - 80x8 H (3 5)x4 Yes
Hyakki Gouzan 40 14 13 -11 100 L 3 No
Hyakki Goushou 6 2 17 - 130 H 13 No
Hyakki Goujin 3 - 3 - 100 H 11 No
Hyakki Gousai 10 1 17 - 110 - 15 No
Ashura Senkuu 20 45/29 9 - - - - No

Super Arts

Move Startup Hit Recovery Blocked Advantage Damage Parry Stun
Messatsu Gou Hadou (SA1) 4 1 49 -13 55x5 60 H 0
Tenma Gou Zankuu (SA1) 6 1 13 - 60x5 80 H 0
Messatsu Gou Shoryuu (SA2) 1 1 - - 40 H/L 0
" (2nd Hit) - 3 - - 40 H/L 3
" (2nd Gou Shoryuken) 13 1 - - 40 H/L 0
" (4th Hit) - 3 - - 50 H/L 3
" (3rd Gou Shoryuken) 15 1 - - 120 H/L 9
" (6th Hit) - 1 - - 110 H/L 5
" (7th Hit) - 7 37 -25 100 H/L 5
Messatsu Gou Rasen (SA3) 3 1 - - 70 H/L 0
" (2nd Hit) 3 1 - - 70 H/L 0
" (3rd to 11th Hit) (3*4)x8 1 - - 40x9 H/L 0
" (Last kick) 3 1 - -35 130 H/L 0
Messatsu Gou Senpuu (SA3) 8 1 - - 60 H/L 0
" - 1x3 - - 55x3 H/L 0
" - 1 - - 70 H/L 0
" - 1x4 - - 40x4 H/L 0
" - 1x3 - - 60x3 H/L 0
" - 1 - - 40 H/L 0
" - 1x4 - - 40x4 H/L 0
" - 2 9 - 130 H/L 0
Shun Goku Satsu 1 37 2 - 490 - 0
Kongou Kokuretsu Zan 16 5 58 - 370 (300) - 15
" (Tidal Waves) (1st part) - 1*1*1 - - 55 55 40 H/L 3 3 3
" (Tidal Waves) (2nd part) - 1*1*1 - - 55 55 40 H/L 3 3 3
" (Tidal Waves) (3rd part) - 1*1*1 - -25 40 40 40 H/L 3 3 3

Dash Data

Dash Foward

Start-up frames In ground frames In air frames Recovery frames Total frames
2 8 None 6 (4) 16 (14)


Dash Backwards

Start-up frames In ground frames In air frames Recovery frames Total frames
4 4 None 6 14


Additional Frame Data

Move Frames
Jump 3
Super Jump 5
Normal Wakeup 77
Tech Wakeup 50
Taunt 65

Strategies

Due to Akuma's naturally disadvantageous life and stun bars, high level Akuma play consists of seamless, unpredictable, safe offense and few mistakes. Should your opponent unleash their offense on you, you can lose a lot of life quickly. Obviously it is also very important to have a strong defense because of how much damage Akuma takes. Learn to block low and tech throws, and use Akuma's wakeup options wisely.


Overview

Punish after Parrying:


Air Parry:

- Air Hadouken

- Tatsumaki, land, SRK (very precise)

- Tatsumaki, land SA1/3.

- lp,lk (air reset, not very useful)


Normal Parry:

- Raging Demon (requires fast reflexes)

- s.hp xx tatsumaki, SRK.

- s.hk xx SA1/2/3

- s.hp xx SRK xx SA1/2

- CORNER: s.hp xx tatsumaki, SRK, SA1


Low Parry:

- c.mk xx SA1/2/3

- c.lk, c.lp, c.lk xx SA1 (works only on some characters)

- CORNER: c.mk, tatsumaki, xx shoryuken xx Sa1



Wake-Up Moves:


- Demon flip

- Teleport

- Hurricane

- Lp srk xx sa1

- HP srk

- The best by far: Block!


Blockstrings


- after knockdown- c.lk, c.lp, c.lk, c.mk (into fireball/flip/tatsu)

- after flip - s.mk, s.mk

- cl mk, cr. lk x demon flip

- cl mk, cr mk x mk demon flip dive kick

- cr, lk, cl mk x mk demon flip dive kick

- cr.lk, s.hp, x demon flip kick


Raging Demon Set-ups

- Kara Demon: Twds mp, lp, lp, down forward, lk, hp! (if done right, then the raging demon will come out before the first hit of mp)

- HK: i actually tried this a couple of time and it seems pretty useful.

- Cl. mk, (walk up) cr. rh kara demon.

- Cl. mp, Kara Demon

- Cr. lk, Kara Demon (while pressing lk, press lp twice and hold another button--hp or mp will do fine--to keep the jabs from coming out.

- Divekick (does not matter which or if the divekick even connects), pause then Kara Demon.

- Dash up (kara) Demon. (quickly press the jabs while dashing)

- UOH Rh. Kara demon

- Cr. lk, st. cl. lp, Kara Demon

- If you do a fireball late enough, nothin will come out (of you time it just right, Gouki will still say "gou zanku") just like Demon Flip Kick. You can use this to jump in on an opponent, do a fake fireball, buffer the jabs and then do a Kara Demon.

- Parry into demon (you have to be fast)

- Raging demon on wakeup (if your opponent won't back off)

Basics

Super Art Selection

SAI (Messatsu Gouhadou) - Akuma's fireball super, and his super art of choice, for a variety of reasons. It's easily the safest of his supers, which makes it hard to punish unless it's blocked at close range. It can be confirmed or cancelled out of a variety of moves, including cr. short x 2, cr. forward, any of his uppercuts, etc. It also does good chip damage, especially when preceded by a fireball or red fireball. The main thing going against it is its fairly low damage, but it's still respectable, especially against the weaker characters.


SAII (Messatsu Goushoryu) - Akuma's uppercut super, similar to Ken's SAI. Does better damage than SAI, and has many of the same confirms and cancels as SAI. On the other hand, this super is much more than SAI unsafe if missed, and basically gives the opponent a free combo. Also has less chip potential, since the last 3 hits are easily parried. Not a bad super, but SAI is preferrable.


SAIII (Messatsu Gourasen) - Akuma's hurricane kick super, goes straight up. Does the most damage out of all of his supers, but has the worst recovery and chip damage by far. Also lacks range and lead-in combos, making it hard to easily integrate into his ground pressure/offensive. Probably his worst super.


Shun Goku Satsu (Raging Demon) - Akuma's signature special art, requires 2 full meters (all of his super arts are the same length.) Does loads of damage and is a grab super (therefore, unblockable), but is ordinarily hard to connect with since the jabs usually give the super away, and it's fairly easy to jump after the super flash if it's not kara'ed. Techniques such as kara-ing it with toward MP or hiding the jabs by dashing eliminate these problems and make it a much more lethal super, however.


Kongou Kokuretsu Zan: Akuma's new special art, channels his energy into a shockwave, requires 2 full meters again. Even more damaging than the raging demon (provided all of the hits connect), and has potential for extra with taunt and/or crouching damage. Good for countering dash-ins, jump-ins, and cross-ups, but is somewhat slow to come out and does severely reduced damage if the first hit misses. His most common combo with this super involves a jab reset into the KKZ (after the BnB.) This is also the ultimate chip out super - if you get a knockdown with 2 full stocks and your opponent having only a few pixels of life, this super guarantees the win, provided you time it right. This is since the first hit is unparriable; therefore, it must be blocked, and does good chip on its own. If, by some ridiculous chance, your opponent survives the first hit and starts red-parrying out of it, you still have a good 6 or 7 parries worth of time to screw them up (about the same as his SAI).

Kara-Techniques

Kara Demon - f mp, lp, lp, down-forward, lk, hp

Kara Throw - f mp, lp lk

Kara UOH - Hold forward while doing UOH.

Zoning

Mixups

Demon Flip Mixups!:


The demon flip really gives you lots of options. The kick should be your main tool, since its the safest. With this, you can late cancel to try to combo, early cancel to stuff potential counters, or go for the cross up. If you are close enough, you have the throw option, which works really well against tall characters. To keep the kicks unexpected, you have either the slide kick, or an empty demon flip, which I generally follow up with a throw, or I sometimes just go straight into another demon flip. Anyway, lets talk about setups.

fp juggle into demon flip

This is either an air tatsu juggle into fp, or bnb ending in fp instead of srk. This attack string can really put pressure on the opponent, and is a good tool against characters without uppercuts. You won't ever be in range for the throw with this one.

just a standing normal into demon flip

You see JR use these a lot. This is your primary way of connecting the throw, which I use nearly as much as the kick, sometimes more than the kick depending on the opponent.

meaty demon flip

I don't use this often, but its a good setup because you stand a better chance against uppercuts, and have really great combo potential.

air fb, land, demon flip

This is a setup I've been experimenting with against makoto mainly. You don't have to worry so much about a dash under or anything.

Ok, so you're in the flip...now what?

Like I said, the kick is your main option, so lets talk about that. Its tempting to always late cancel the flip so you can combo. The first thing you learn in Mixup 101 is always doing one thing in a situation = death, so you have to early cancel this thing too. Once people start getting knocked by the early cancel, they wont be so tempted to try to AA you everytime, or parry, and an early cancel kick can lead to RD setups or kara throws or more flips. Its a good sign if they just start blocking the kicks, because you are getting close to locking them down, and you have them unprepared for throws. The blocked kicks should be followed up pretty much the same way as an early cancel kick. Either land, normal > demon flip, kara throws, or if you can, an RD. I also like going for the f mp overhead after blocked or early canceled kicks.

You also have the cross up kick. I'm just starting to use this thing, but its really great because its ambigous. What sucks though is you really need to know what situations it will cross people up on. Most of the time, a cl.mk > mk flip, and early cancel the kick will lead to a crossup. If anyone can give some insight on crossups with demon flips that would be great.

Unlike the dive kick, after a parried flip kick, you land at the same speed, so you should be able to go right into demon. Other than that, don't get parried. I also will throw out rh and mk tatsus after parried flip kicks from time to time.

Time to start using the throw. Not much to know here, except make sure you are putting yourself in range for this. You really need to be right on top of them. So you are either do c.mk > mk flip, cl.mk > lk flip, cl.fp > mk flip. Just know your ranges because whiffing this thing is a free combo for your opponent On characters like Q, if you go for a psuedo meaty flip, and just go for the throw right away, there is relatively nothing they can do to counter it.

The slide kick really allows the normal kicks and throws to work well. I follow up my fp juggles with this one a lot! Although, once you get this thing blocked or parried, its time to hold off on it for a while, because you have pretty bad recovery on this one. I very rarely dont land this one, but you do need to be very careful with it.

Lastly, there is the empty flips, and like I said, you should mostly go for kara throws, because if someone didn't try to AA you, they are probably blocking.

Don't really ever use this punch. No real reason. Bad recovery. It sucks.

Hope this is useful I don't want to sound like an expert, because I'm not. I'm still learning the demon flip, but I think its not discussed enough here.

How to Counter different reactions to Demon Flips

Opponent is AAing you out - Early flip kick Opponent is standing blocking - Slide kick, empty flip throw, flip throw Opponent is crouching blocking - Flip punch, empty flip throw, flip throw Opponent is parrying - Vary flip strengths/kick timing (super late cancel works well), empty flip throw, flip throw Opponent trying to go under flip - Early flip kick

Additional Notes

  • Personal Action: Attack up, Stun Damage up for the next non-throw attack/combo.

A Review by Chaosofdante

Introduction

When playing Akuma the basic goal is to use his superior zoning ability in order to control your opponent’s options, and at the same time, minimizing the risk of getting hit yourself.

It is very important to note (if you haven't noticed already) that Akuma has THE WORST defense rating of the characters in 3S. He is also tied with Remy for having the smallest stun bar of all of the characters 3S.

You should also note that Akuma's supers are all the same length, and that he has no EX moves. All this was done to counter balance his incredible offense and mix-up. Many people are turned away from Akuma because they see him as being too inconsistent due to his stamina, but I hope to reassure you that by making smart decisions during the match, Akuma has no holes at all in his game.

Beginning the Offense

Akuma has the basic Shoto mix-ups that allow him to confuse and knock down his opponent repeatedly. If you're not sure on what these mix ups are (tick throw, high/low, Kara throwing, etc.) please consult the Ryu section for examples.

For offense purposes, you want to use Akuma's air fireballs as a safe window to get in on opponents and begin guessing games. When using an air fireball on someone who is standing always, and I mean ALWAYS option select parry before throwing the fireball. Akuma cannot attack after the fireball has been thrown so you want to do it as late as possible. This ensures that if you throw an air fireball at a standing opponent, they can't counter hit you even if they parry. In this way Akuma becomes very safe after a late air fireball even if it's parried, you only need to watch out for things like reversal Shippus or Hugo/Alex SA1 as moves with 1-2 frame start up will still be able to get you. The option select parry is purely there to protect you from any early anti air attempts. If the parry is successful you can do a meaty fierce in the air and link a standing fierce into either short, or roundhouse Tatsu depending on if they are standing or crouching (short Tatsu whiffs on almost everyone crouching).

Another offensive option from mid range in order to get close is to cancel hit or blocked low forwards into Akuma's daemon flip. Akuma has a fairly good mix-up game from this that can work well as long as it's not used more than a few times in a match, if you become predictable with it, your opponent may be able to punish you. The input for this is (F > D > MK > DF and any kick (LK/MK/HK)). The kick pressed determines the distance of Akuma’s flips. Use the short kick to keep the pressure on with dive kicks, and use the other two for his throw.

Once Akuma scores a knockdown he becomes extremely dangerous. He can hit confirm his close standing forward into his B